2001: A Space Odyssey Turns 55
55 years ago, a movie transformed science fiction films, Stanley Kubrick’s 2001: A Space Odyssey. Written in collaboration with legendary science fiction author Arthur C. Clark, who has second billing for the screenplay and wrote the novelization, the movie is based on Clark’s short story “The Sentinel” in which an object is dug up on the moon and sends a signal to an unidentified alien world, leaving the main character to wonder who will receive the alarm that humans have left the Earth.
Other Sci-fi films have tackled serious questions such Forbidden Planet, with it’s exploration of the human mind and it’s powers, and The Day the Earth Stood Still, whose themes cover the human propensity for violence and war with a draconian solution.
2001 Delved into more than social warnings. It contemplated the existence, place and future of human beings. It also introduced HAL 9000, the artificial intelligent computer who speaks and acts as if human, and in the end succumbs to human foibles to tragic ends.
The meticulous detail Kubrick put into all his films produced ground breaking special effects that won an Oscar and continue to stand up to this day. There would have been no Star Wars, Silent Running or any other modern sci-fi movies without 2001. The measured pace of the spacecrafts contrast with whizzing space battles, yet create the reality of space travel as had never been seen before. Astronauts have said viewing 2001: A Space Odyssey is like being in space again.
I’ve viewed the film over two dozen times, first in Cinerama with its 180-degree screen that wraps around the audience and fills the peripheral vision with the illusion of three dimensions without glasses, then in standard theaters, drive-ins, scan-and-pan broadcast TV before wide screen, VHS, DVD and Blue-Ray, which I watched again this week.
It was one of the major influences on me as a youth and a reason I became a writer, a teller of stories that expand the imagination.
Other Sci-fi films have tackled serious questions such Forbidden Planet, with it’s exploration of the human mind and it’s powers, and The Day the Earth Stood Still, whose themes cover the human propensity for violence and war with a draconian solution.
2001 Delved into more than social warnings. It contemplated the existence, place and future of human beings. It also introduced HAL 9000, the artificial intelligent computer who speaks and acts as if human, and in the end succumbs to human foibles to tragic ends.
The meticulous detail Kubrick put into all his films produced ground breaking special effects that won an Oscar and continue to stand up to this day. There would have been no Star Wars, Silent Running or any other modern sci-fi movies without 2001. The measured pace of the spacecrafts contrast with whizzing space battles, yet create the reality of space travel as had never been seen before. Astronauts have said viewing 2001: A Space Odyssey is like being in space again.
I’ve viewed the film over two dozen times, first in Cinerama with its 180-degree screen that wraps around the audience and fills the peripheral vision with the illusion of three dimensions without glasses, then in standard theaters, drive-ins, scan-and-pan broadcast TV before wide screen, VHS, DVD and Blue-Ray, which I watched again this week.
It was one of the major influences on me as a youth and a reason I became a writer, a teller of stories that expand the imagination.
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